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    <title>The Camera Post</title>
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    <description>Independent coverage of photography, cameras and visual culture.</description>
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      <title>Fujifilm’s $119.95 instax SQUARE 2 Adds a Landscape Focus Mode</title>
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      <pubDate>Wed, 21 Oct 2026 16:10:00 GMT</pubDate>
      <description>Announced October 14, the analog SQUARE 2 adds selectable color effects and three distance modes. Here is what to check before its late-October rollout.</description>
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    <item>
      <title>Stacking Creative Filters: Use Four Frames to Decide What Helps</title>
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      <pubDate>Wed, 21 Oct 2026 16:10:00 GMT</pubDate>
      <description>Compare no filter, each effect alone and the combination. A practical SZ Filters guide to compatibility, dark corners and knowing when to remove a layer.</description>
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    <item>
      <title>Sync Camera Clocks Before the Shoot, Not While Sorting the Photos</title>
      <link>https://thecamerapost.com/articles/sync-camera-clocks-photo-capture-time-workflow/</link>
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      <pubDate>Wed, 21 Oct 2026 16:10:00 GMT</pubDate>
      <description>Keep multi-camera photographs in a useful order with a shared clock reference, body-specific notes and a cautious capture-time correction workflow.</description>
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    <item>
      <title>OM SYSTEM Adds 50 fps SH2 Support to Three Telephoto Lenses</title>
      <link>https://thecamerapost.com/articles/om-system-lens-firmware-11-50fps-sh2/</link>
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      <pubDate>Wed, 14 Oct 2026 02:00:00 GMT</pubDate>
      <description>Version 1.1 adds 50 fps SH2 and Pro Capture SH2 support to three M.Zuiko lenses on compatible cameras. Check the exact lens and body before updating.</description>
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    <item>
      <title>Test Your Camera’s Burst Buffer Before the Action Starts</title>
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      <pubDate>Wed, 14 Oct 2026 02:00:00 GMT</pubDate>
      <description>Maximum fps is only one part of action photography. Rehearse burst length, recovery time and the next sequence with the file format and cards you will actually use.</description>
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    <item>
      <title>Eugène Atget at Saint-Cloud: Learning to Read the Space Between Things</title>
      <link>https://thecamerapost.com/articles/eugene-atget-saint-cloud-space-foreground/</link>
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      <pubDate>Wed, 14 Oct 2026 02:00:00 GMT</pubDate>
      <description>Three Saint-Cloud photographs reveal how Eugène Atget organized trees, stone and open space. Look beyond the sepia surface to the structure of each image.</description>
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    <item>
      <title>Tamron Brings Its $729 20–40mm F2.8 Zoom to Nikon Z</title>
      <link>https://thecamerapost.com/articles/tamron-20-40mm-f28-nikon-z-price-release/</link>
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      <pubDate>Sat, 10 Oct 2026 12:05:00 GMT</pubDate>
      <description>The Nikon Z version arrives October 22 with a constant F2.8 aperture and a 380g body. Its unusual range favors wide scenes over telephoto reach.</description>
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      <title>Exposure Compensation: Check What Your Camera Actually Changes</title>
      <link>https://thecamerapost.com/articles/exposure-compensation-auto-iso-practical-check/</link>
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      <pubDate>Sat, 10 Oct 2026 12:05:00 GMT</pubDate>
      <description>The plus/minus control changes an automatic exposure target, not the scene. Learn which setting moves, when Auto ISO matters and why compensation can appear to stop working.</description>
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    <item>
      <title>Record Room Tone Before You Pack Away the Video Kit</title>
      <link>https://thecamerapost.com/articles/record-room-tone-video-dialogue-editing/</link>
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      <pubDate>Sat, 10 Oct 2026 12:05:00 GMT</pubDate>
      <description>A short, well-labeled recording of a location can make dialogue edits less distracting. Keep the microphone setup consistent and know what room tone cannot repair.</description>
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      <title>Sigma’s $799 50–120mm F2.8 Gives APS-C Kits a Smaller Telephoto Option</title>
      <link>https://thecamerapost.com/articles/sigma-50-120mm-f28-aps-c-price-release/</link>
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      <pubDate>Fri, 09 Oct 2026 22:02:00 GMT</pubDate>
      <description>Shipping October 22 in Sony E, Fujifilm X and Canon RF mounts, Sigma’s stabilized telephoto completes its compact F2.8 zoom range. Here are the practical limits.</description>
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      <title>Focus Stacking: Capture a Clean Sequence Before You Blend</title>
      <link>https://thecamerapost.com/articles/focus-stacking-static-subject-capture-check/</link>
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      <pubDate>Fri, 09 Oct 2026 22:02:00 GMT</pubDate>
      <description>A repeatable focus-stacking workflow for stationary subjects: overlap the sharp zones, keep light consistent and check the merge before discarding source frames.</description>
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      <title>One Shoot, Two Shapes: Plan Horizontal and Vertical Video Together</title>
      <link>https://thecamerapost.com/articles/horizontal-video-vertical-delivery-framing-plan/</link>
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      <pubDate>Fri, 09 Oct 2026 22:02:00 GMT</pubDate>
      <description>Protect the subject, hands and captions before recording. A practical approach to 16:9 and 9:16 delivery, including when a separate take beats an automatic crop.</description>
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    <item>
      <title>Nevion and Providius Connect Broadcast Routing to Network Monitoring</title>
      <link>https://thecamerapost.com/articles/nevion-providius-nvrt-emerge-broadcast-monitoring/</link>
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      <pubDate>Thu, 08 Oct 2026 20:26:32 GMT</pubDate>
      <description>Providius NVRT now supports Nevion eMerge telemetry and VideoIPath service data. What the integration promises—and what a production team should verify.</description>
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      <title>Aperture and Creative Filters: Build a Comparison You Can Trust</title>
      <link>https://thecamerapost.com/articles/sz-filters-aperture-creative-effects-comparison/</link>
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      <pubDate>Thu, 08 Oct 2026 20:26:32 GMT</pubDate>
      <description>Separate aperture, exposure and filter effects with a matched-pair photo exercise. A practical SZ Filters guide to judging the subject before the glow.</description>
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      <title>Mixed-Light White Balance: Fix the Subject, Not Every Light</title>
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      <pubDate>Thu, 08 Oct 2026 20:26:32 GMT</pubDate>
      <description>Choose a color priority, place a neutral reference correctly and keep a sequence consistent. Why one white-balance setting cannot neutralize every light source.</description>
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